Saturday, June 11, 2011

Only the Silent Three Could Help Her

People sometimes give shoujo manga credit for being the first popular genre of comics for girls. But during the 50s ans 60s, when the prototypes of modern shoujo were just being developed, another kind of girls' comics were already thriving halfway around the world in the United Kingdom.

British girls' comics were circulated in periodicals such as Bunty, Judy, and Diana which bore quite a resemblance to shoujo's Margaret, Ciao, and Princess, with comics sharing pages with short stories, recipes, and beauty tips. The kinds of stories they covered reflected the kinds of stories that were popular in girls' novels of the day - so naturally many of them were girls' school stories.

Most of the school stories were thoroughly of the Angela Brazil, Enid Blyton type: hockey games, midnight feasts, pranks and scrapes. This one, though, which I read on the awesome comic blog Out of This World, has an interesting twist. It's about three girls who dress in hooded robes and black masks to become "The Silent Three", a secret society that works in secret to give their aid to those who ask for it.

This time, it's a school maid who asks for help. She's been sacked for breaking the headmistress's vase, but says that she didn't do it. It's up to the Silent Three to find up who framed her. It's all quite exciting, if implausible.



And it's got me well hooked on British girls' comics, too. I'll be on the lookout for more comic school stories.

Monday, June 6, 2011

Secret Places

It's World War II. The Allied and Axis forces are entangled in a bloody battle that spans the globe with no end in sight. And, somewhere in London, a German girl named Laura enrolls in an unremarkable girls' day school.

The wartime anti-German hatred is extended to her as a matter of course; she is called a hun and blamed when an English soldier is killed by a German. During that first week she is ostracized by all the girls - all except one, Patience.



Patience (played by the beautiful Tara MacGowran) is a thoughtful girl with enough insight to realize how unfair her classmates' treatment of Laura is. By not being cruel to her she ends up befriending her almost accidentally. Their friendship deepens as the months pass in their idyllic setting, seemingly so far from the war, until Patience's sentimental affection for Laura grows to such a level that she feels she must end it. Her decision has disastrous effects.



Secret Places is the kind of film that is more occupied with atmosphere than plot. There are plenty of lovely spans of the English summer countryside as nostalgic piano music plays. The whole film is imbued with so much nostalgia that it seems almost sepia-toned with it. There is drama, multiple storylines of it, but not a single loose end is ever really tied; whoever was missing is either still missing or dead, and Patience's attraction to Laura feels more forgotten about in the end than anything else.



Still it was a beautiful film that will linger in my memory for a long time. I've got to seek out the book it was based on.

Saturday, March 12, 2011

A Fourth-Form Friendship

The school idol taking a sudden interest in the everygirl for no reason anyone can understand is a common tropism in Japanese girls' school fiction - so common, in fact, that I can't think of a single girls' school shoujo-ai that doesn't use it. Sachiko and Yumi, Miya-sama and Nanako, all those girls from Hana Monogatari... the list goes on. And now to it can be added Mabel and Aldred from A Fourth Form Friendship, definitely the nicest Angela Brazil novel I've read yet.



The spirited Angela Brazil heroine au jour is Aldred, a fifteen-year-old with "charming gypsy looks" who has never attended a school before. She's absolutely determined to be the best in everything when she gets there - grades, sports, even popularity. But a spontaneous art lesson reveals that Aldred is all too quick to take credit for other's work, and let's just say that if that trait were a gun, it would be Chekhov's.

When she gets to the Grange she's not a little disappointed to learn that the girls don't find her absolutely enthralling. In fact, she has a little trouble making friendships at first. Then Mabel enters the picutre.

Mabel is the kind of idealized character that might make even Sachiko jealous. She's gorgeous, with waist-length, wavy red hair, fair skin, and light blue eyes. She comes from noble blood. She's inimitably good. And - and this is significant - although everyone likes her and she's kind to everyone, she never seems to want to make close friendships.

So it's hardly surprising that the Grange goes into a frenzy when Mabel suddenly approaches Aldred, asks her if she had stayed at a Seaforth during the summer, and from that point on is utterly inseparable from her.

At first it seems as though Mabel could fit right in with the perfect and incomprehensible oneesama of shoujo-ai, but in fact she does have a reason for her attraction to Aldred that isn't "because she's cute" or something - she believes that Aldred saved a boy from a fire at Seaforth. It turns out that a girl with a similar last name had done that there a few weeks before Aldred arrived, and as the story came down the grapevine to Mabel it somehow ended up with Aldred as the protagonist. Now, Aldred doesn't learn this until she overhears it when Mabel tells it to some girls as Aldred's hiding in a closet (she just kind of felt like going in there). But by then she's so fond of Mabel that she can hardly just walk out, tell the truth, and perhaps end their friendship. Instead she vows to clear up the understanding when Mabel brings it up to her herself. And when that time comes - well, what would you do?



The rest of the novel features Aldred getting into scores of nasty scrapes and silly mischief, with Mabel defending her all the while. By now most of the girls of the school have heard of her reputation from saving people from fires, but she nearly starts more than one fire herself.



I won't tell you how it all works out, but I will say that it's very exciting and not too didactic and that it ends with a kiss - a kiss of "complete reconciliation and forgiveness" that commences a friendship "founded at last upon the rock of self-sacrifice and mutual endeavour". Now if that doesn't beat all the cutesy "hontoni daisuki" and luminescent blushing of shoujo-ai, I don't know what does.

Monday, February 21, 2011

Maria-sama ga Miteru (season 1)

With my preoccupation with girls' school stories and idyllicism and roses and whatnot, it might be surprising to know that I avoided watching Maria-sama ga Miteru for a long time. I don't know why exactly I avoided it so - something about the art style, the exotification of Catholocism, the odd fan base. I even watched a few minutes of the first episode and deemed it too uninteresting to bother slogging through. Eventually, though, for some reason I can't remember anymore, I returned to the spurned series. I'll always be grateful that I did.



Maria-sama ga Miteru (literally Mary is Watching) is set at Lillian Jogakuen, an all-girls K-12 school with rich tradition and even richer students. The school has a "soeur system" of pairing upperclassmen with underclassmen for guidance and companionship. The tie between soeurs is an ambiguous kind of love somewhere between filial, friendly, and romantic, chaste but passionate.

At the center of all this is the Yamayurikai (Mountain Lily Council), a kind of student council made up of only members of the very most upper-echelon of Lillian Jogakuen's students. The Yamayurikai is split up into three groups: Rosa Chinensis, Rosa Foetida, and Rosa Gigantea, each of which has three levels: Rosa, en bouton (in bud) and en bouton petite soeur. These girls are idolized by the rest of the students and it hardly needs mentioning that there isn't much the underclassmen wouldn't do to be chosen as a petite soeur by one of them. Enter Yumi Fukuzawa, this series' particular incarnation of your friendly everyday shy schoolgirl. I don't think it's much of a spoiler to say that, after various wacky hijinks, she gets chosen as the petite soeur of Sachiko Ogasawara, the most idolized of all the en boutons.



It's tempting to compare this series to the Oniisama e because of their similar plots, but the atmosphere of the two is so vastly different. While Oniisama e is the epitome of melodrama, Maria-sama ga miteru seems almost to be anti-melodrama - if there is ever a conflict, it only lasts for an episode and a half or so, after which the girls return to their state of almost aggressive calm. Everything is peaceful and gentle and absolutely mild.

A more apt comparison would be to the "Class S" genre of pre-war Japan: stories of romantic friendships between upperclassmen and underclassmen at all-girls schools. Japanese reviewers often describe Maria-sama ga miteru as a rebirth of the once-beloved genre, and its popularity launched a legion of knockoffs of various qualities (which will probably be reviewed in this blog sooner of later). Whether Yoshiya Nobuko would be proud is debatable, but for better or for worse Maria-sama ga miteru and its copycats have made the schoolgirl love she championed live on.